The triumph of Guardi
This room has been given over to the display of some of Francesco Guardi’s most emblematic works. The skies in the paintings, overcast or bathing in the golden light of sunset, illustrate the full extent of the artist’s skill. His touch is more forceful, the buildings stand out more clearly against the sky and water. The elegant facades of the embassies rub shoulders with a more picturesque Venice where the washing is hanging out to dry in the windows (Guardi, View on the Cannaregio canal, with the Palazzo Surian-Bellotto, French embassy, New York, The Frick Collection). The scientific approach, inspired by the Enlightenment, that characterised Canaletto’s paintings gave way to a quest for emotions and impressions in Guardi’s work.
Explore the works of art :
- Francesco Guardi (1712-1793), Cannaregio Canal, with the Palazzo Surian-Bellotto, French Embassy / Palazzo Barbarigo Loredan, on the Grand Canal, Embassy of the Holy Roman Empire
- Francesco Guardi (1712-1793), Grand Canal with San Simeone Piccolo and Santa Lucia / The Giudecca with the Church and Convent of the Zitelle

Cannaregio Canal, with the Palazzo Surian-Bellotto, French Embassy / Palazzo Barbarigo Loredan, on the Grand Canal, Embassy of the Holy Roman Empire
Circa 1778-1780 / circa 1780-1784
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Cannaregio Canal, with the Palazzo Surian-Bellotto, French Embassy / Palazzo Barbarigo Loredan, on the Grand Canal, Embassy of the Holy Roman Empire
Circa 1778-1780 / circa 1780-1784
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Grand Canal with San Simeone Piccolo and Santa Lucia / The Giudecca with the Church and Convent of the Zitelle
Circa 1780 / Circa 1780-1785